I had it all wrong. This is a serious film about Indian/hippie non-violent philosophy, with a little action thrown in to keep up your interest. Billy Jack was played by Tom Laughlin, who also wrote and directed. You could guess that he felt it deeply.
Billy Jack is a Vietnam vet half-Indian martial artist who lives on a rez in New Mexico or Arizona. His friend Jean runs a hippy Freedom School for troubled youngsters. When the leading citizens of the small town nearby make trouble for the kids, Billy steps in to protect them. And the trouble escalates.
This would be pretty by-the-book, except:
- Most of the townspeople get to like the kids, showing a nice Western live-and-let-live attitude.
- The hippie school is pretty real. The kids act out psychodramas and sing songs that they wrote themselves. The songs were actually written by the kids who sing them, including a few by Laughlin's 11-year old daughter. She's very good, actually.
- The "teachers" who lead the psychodramas include members of improv comedy groups like the Committee. They have a couple of good scenes.
- Although Billy is the usual superhero who protects the weak, the movie has a real commitment to non-violence. SPOILER: in the end, he doesn't die in a hail of bullets.
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I remember telling my father: "If you want to understand me, go watch Billy Jack." I thought that was the movie to end all movies.
Man, the villains sure beat up on that Indian kid, didn't they? And wasn't Howard Hessman in that? he was pretty funny in his one scene.
About 10 years later I watched it again and actually felt bad for the sheriff and father of the girl who got knocked-up and mouthed off about how she had no idea who the father was. Something about how she didn't know if the baby was white, black, Indian, this, that, etc., etc. I think I would have flown off the handle too.
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