It starts with Robert Montgomery sitting in Phillip Marlow's office, telling us, the audience, the camera, that he wasn't making any money as a detective, so he had started writing detective stories. Right away, we're getting totally meta:
- A character in a detective story is writing detective stories.
- The character is talking directly at us - but -
- You can read the name on the inside of the door, and Marlow's pocket square in on the wrong side of his suit. He's talking to a mirror!
- Characters interacting with Marlow look straight into the camera and into your eyes. I find this quite compelling.
- Robert Montgomery doesn't really look much like a Phillip Marlow, and we don't have to see him much.
But that's ok, we don't see him much. We do get to see a lot of his co-star, Audrey Totter. She's a classic film noir tough dame, sub-type: classy. She's worth looking at for her hairstyle alone.
Plus, this all takes place over Christmas. Not sure what that has to do with anything.
On the downside, the plot is a little random, and we never do get to see the lady or the lake. The actress playing the lady is famously billed as Ellay Morte. Or is she?
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