Thursday, December 4, 2025

Batavia Girl

I guess you could say that Valentine (2017) is just another Indonesian female-led comic book movie, like Sri Asih. If there are any others, I'll probably watch those as well. 

A near future Indonesian Batavia City is in the grips of a crime wave. A journalist, Matthew Settle, thinks that if people had a role model, preferably female, it might turn the tide. He wants to make a movie, but can't find a pretty girl who is skilled at martial arts. Then, in a cafe, some toughs start acting up, and pretty waitress Estelle Linden lays them to waste. So Settle offers her a new job as star of his movie.

On their first outing, Linden quickly realizes that this "movie" is going to be wandering around the city. looking for crimes, her defeating the bad guys, and Settle and crew filming it on phones for social media. 

I won't get into the plot, because I've forgotten it. I did note that at no time did the populace seem to take hope from this young superhero - at least, they never turn on the gangsters. I'll also note that the fight choreography is mid-tier at best. But the style is largely pencak silat, which I enjoy watching, even if only on an amateur level. 

So, not a great comic book movie, or martial arts movie, or even a movie to encourage us to fight crime in our community. But fun enough so that I'll probably watch any other Indonesian comic book movie I find. 

Wednesday, December 3, 2025

Super Dog!

I was looking forward to seeing James Gunn's Superman (2025). The buzz was good, there's a dog in it (Krypto), and some other Justice ... Thingy members. 

It starts in the middle of things: Supes (David Corenswet) has been clobbered into the Arctic ice by a foe from over the horizon. He has recently stopped one comic opera dictatorship from invading a poorer neighbor, and the super-villain is aligned with the dictatorship. So he's pretty low. However, faithful dog Krypto shows up - to play with him. It takes a while, but he does get Krypto to drag him to the Fortress of Solitude, where his robots (voiced by Alan Tudyk, Michael Rooker, and Pom Clementieff) revive him with yellow sunlight. They also play his parents, Jor-el (Bradley Cooper) and Lara Lor-van's final message to him - up to where it is damaged.b

Back in Metropolis, Supes is again clobbered, and we get to see part of why. Lex Luthor (Nicholas Hoult) is controlling the fight from a nearby skyscraper. His tactics are based on years of studying Superman. But he calls his henchman off - this is just softening Superman up. By the way, Hoult is a great villain. He's been killing it lately. 

We get to see Corenswet as Clark Kent hanging out with coworkers, and fake-feuding with Lois. Because this Lois (Rachel Brosnahan) knows who Clark Kent is. At her apartment, she goads him into giving her an interview, and it gets under his skin. This is a cute scene, letting Corenswet get a little deeper into Superman's concern with Right and people's lives - and getting frustrated that everyone doesn't see it.

When Lex sends a tiny but quickly expanding kaiju to Metropolis as a distraction, Superman doesn't have to fight it alone. The Guy Gardner Green Lantern (Nathan Fillion), bowlcut ad all, along with Hawkgirl (Isabela Merced) and Mr. Terrific (Edi Gathegi) show up to help out. Fillion, a bit of a jerk, announces them as the Justice Gang, a name Merced denies. 

During this distraction, Lex's team invade the Fortress of Solitude, and steal the damaged message from Supe's parents. He is able todecode the damaged section, and discovers that the Kryptonians were urging their son Kal-El to conquer the puny Earthlings and bend them to his will. Releasing this causes everyone to turn on Superman, and for him to even start doubting himself. So he hands himself over to the government, who hand him over to Luthor. Who puts him in a pocket dimension prison, along with his ex-girlfriends. And he keeps him there with kryptonite.

Aside from being a well-made piece of modern action film, this movie has two things going for it. One is Corenswet's sweet, kind, ethical Superman - a man who says that trust in others is punk rock. The other is the goofy subversion of superheroes, like the obnoxious Guy Gardner. Ma and Pa Kent are decent, but basically toothless hicks. Jimmy Olsen is his old-style dweeby self, but also irresistable to women, including Luthor's bimbo girlfriend. And the biggest joke of all, Krypto - an annoying. poorly trained dog, who turns out to be Supergirl's. And she neglects him to go to party planets. 

I wonder if this is sustainable. The funny, deconstructed superhero movie seems to be ascendant now, with Gunn's The Suicide Squad or Thunderbolts* as examples. But keeping that tome with a hero who is sincere, kind, and just not that goofy might be tough. And even if Gunn (now in charge of the DC-verse) pulls it off, is this what we want? Are we never to have a serious, or scary, or awe-inspiring superhero movie again?

Who knows? who knows if the superhero movie will survive, or even movies at all. I guess I'll take them as they come. 

Sunday, November 30, 2025

Step Right Up Ballerina

We are fans of John Wick, at least enough to watch Ballerina (2025) (though not the TV Continental show). Besides, I like action films led by women enough to watch anyway, even if there weren't much crossover with the Wickiverse.

It starts with assassin David Castaneda and his daughter being attacked in their swanky house. While she hides, Gabriel Byrne holds a gun to Castanedas head to flush her out. She creates a distraction, and they break out. Castaneda is shot, but she gets away. She is soon picked up by Ian McShane, who takes her to the her family, the Rusk Roma, headed by Angelica Huston.

Huston puts the girl into ballerina school, as well as assassin school. and she grows up to be Ana de Armas. She goes on a few missions - assassinations and bodyguarding - and on one she notices a mark like the one the people who offed her father wore. Huston lets her know that these people are part of a rogue cult. They don't just kill for money, they do it for sport. And Byrne is their leader. But they have a truce with the Ruska Roma. Neither will interfere with each other's business. Like the truce at the Continental, this rule exists to be broken. 

She also meets up with an assassin for the cult who looks a lot like her (Catalina Sandino Moreno). 

Of course, it all ends up with Armas against the cult. She gets some help from Moreno (guess who she turns out to be) and even John Wick. But even if she wins, she has broken the truce and will be hunted by both the cult and the Ruska Roma.

Without the Wick connection, I would say this is only a fair female-lead action movie. De Armas is taught early on that to defeat male opponents, she must force them to confront her on her terms, not theirs. This seems to mean either a kick in the nuts, or her just going a little bit crazier then them. Which culminates by the end in an almost silly flamethrower fight. Other than that we don't really see what makes her a great fighter. And I don't think de Armas has the martial arts chops that Reeves has to pull it off.

As a Wick spinoff, we get a bit of Ian McShane and a last scene from Lance Reddick (RIP), as well as plenty of Huston. Even Keanu has more than a few cameos. Add these together, and we found it a decent watch. But I don't think the spin-off will spawn a franchise. 


Tuesday, November 18, 2025

Opium Yen

We enjoyed the last Donnie Yen/Yuen Woo-Ping we watched, so we figured we'd try Heroes Among Heroes (1993).

Here, Yen is a rich kid whose father had sent him to live with beggars to learn humility when his mother died. It wasn't that effective - he's pretty arrogant. He meets a cute Westernized woman, Fennie Yuen. Her uncle is the Manchu prince, so Yen falls in with him as well. Meanwhile, Yen's father, Ng Man-Tat, is ruthlessly henpecked by his departed wife's sister, Sheila Chan with grotesque buck teeth.

Yen gets in a fight with the Fire Lotus Gang, a female gang. He defeats them, but does a lot of damage (and gets beat up pretty badly). So the prince introduces him to opium. 

The main story line is how the Manchu collude with the British to bring opium to the masses. Yen starts out leading gangs against the traffickers, then becomes addicted to opium, and has to kick the habit and regain his self-respect. So he takes refuge with his beggar foster father. He teaches him drunken kung fu as a counter strategy against the Manchu and British.

This was not really my favorite part. The fights are only so-so, and the opium threat is handled with little finesse. Actually, my favorite part was Sheila Chan playing auntie. Although she treats him poorly, we come to realize that she wants Yen's father to love her. When he finally snaps at her treatment and hits her, he knocks her buck teeth back to normal size and makes her express her love. It's rather misogynistic, and very silly, but kind of fun. 

So, not these guys' best outing. Really, they should have cut some of the plot and added a lot more fights. 

Wednesday, November 12, 2025

Drunken Fun

I chose to put Drunken Tai Chi (1984) on partly because it's just 91 minutes long - all I had time for. Good choice.

Let's see if I can summarize the plot. A very young Donnie Yen is the favored son of a rich salt merchant. His brother has to do all the work (and martial arts training), while Yen is supposed to be training. Of course, he is still a strong fighter. When a bully starts trouble on a bicycle, Yen fights back, leading to some bike jousting. The bully responds by gathering a gang to ambush Yen and his brother with fireworks. Again, he is defeated.

To avenge him,  bullie's father hires a mute assassin to kill Yen and his family. Note that this is a comedy.

Homeless and on the run, he meets an old puppeteer (Yuen Cheung-Yan) and his fat wife (Lydia Shum), who take him under their wing. They will teach him a soft method to counter the assassin's hard style. 

I am not sure about all of this plot. I was mostly watching for the set pieces. Take the bicycle jousts, or puppet fights, or fat lady kung fu. It was interesting to see some non-lethal kung fu in some of them. In one, the Yen and the bully have a contest with a two-ended brush suspended from the ceiling. The objective is to paint the other guys face before he gets you. You can see how this would work with a knife instead of a brush. It's both non-lethal, but it lets Yen draw silly faces on the bully. 

The assassin is fun, too (although he is NOT non-lethal). He has a beloved little son, and he makes him a rocking horse by punching and smashing logs into lumber. The other kids make fun of him, but the boy steadfastly defends his feral father. 

This is directed by Yuen Woo-Ping, who also made Drunken Master, and was stunt coordinator for a ton of films, including Crouching Tiger, Hidden Dragon. I should have noted that before I started.  

Friday, October 31, 2025

Dream Scheme

We had the pleasure of watching Wes Anderson's The Phoenician Scheme (2025) this week. We got exactly what we thought we would, but I don't think we got much more.

It starts in a private airplane in the 1950s, where we meet Benicio del Toro, playing dealmaker Zsa-Zsa Korda. The plane is suddenly shot down. Del Toro ejects his pilot and attempts a crash landing in a corn field. He finds himself in a black-and-white heaven, about to be judged, but comes to. Soon he is recuperating in a tub, in a large bathroom, with private nurses and champagne cooling in the bidet.

Tired of all the assassination attempts, del Toro contacts his estranged daughter, Mia Threapleton. She is a Catholic novitiate, and isn't interested in his business, but he has made her his heir. That way, if he is killed, no one but her will benefit. When we meet his nine preteen sons (by his three pre-deceased wives), they are pretty savage - I kind of suspected them. 

He explains his latest and greatest scheme: a massive overhaul of the country of Phoenicia. The plans are in several shoeboxes, one for each stage of the scheme, and their related funders. Then there's the Gap - the funding shortfall. He will take Threapleton along to see how he can close the gap. 

At an international secret law enforcement conference, Rupert Friend explains the del Toro, is an arms dealer and middleman who causes wars and peace where America and other governments don't necessarily want them. Friend plans to bankrupt del Toro by increasing the price of mashable rivets - increasing the Gap.

So we see del Toro meeting his investors and trying to swindle, charm or strong-arm them into putting some extra money in. These include Tom Hanks and Brian Cranston, Riz Ahmed, Mathieu Almaric, Jeffery Wright and [REDACTED], his brother. All throughout, he is completely confident, even while being nearly killed over and over - visiting Heaven each time. His catch-phrase is "Myself, I feel very safe" - usually just before someone attempts to kill him. 

Del Toro also has a personal assistant, who is also an entomologist so he can lecture during downtime. He's played by Michael Cera, with a Swedish chef accent. He gets close to Threapleton, even though she's going to be a nun.

Del Toro's Korda (named after the classic filmmakers?) is quirky, resilient, supremely confident, and unreflexively amoral. He carries a crate of hand grenades around, and hands them out like cigars. He is always wounded but never slows down. He's rich enough to do business deals with the Catholic church. I'm not sure if he's meant to be likable, or just interesting. But he is definitely interesting. And I don't know if there's really much of a story here, although people do grow and change in good ways. 

But what the movie really delivers on is the Wes Anderson look - symmetrical frames, period pastels, odd details. Its story is not as convoluted as Asteroid City or as random as French Dispatch. So if you liked all the meta stuff in those, too bad. But if you don't care too much about playing with structure, and just want to see some Andersonic fun, this should work for you. 

Tuesday, October 28, 2025

Squared Jaws

SInce we enjoyed the original, we were looking forward to the sequel: The Accountant² (2025).

It starts in a bingo parlor/dive bar. Daniella Pineda is meeting up with J.K. Simmons, retired to private practice since the last movie. He wants her to find the Salvadoran mother, father and son in an old photo. She declines, but mentions that he has been followed. Soon, they are both fighting their way out. She escapes, but he is shot by a sniper. 

His replacement at the Financial Crimes Unit, Cynthia Addai-Robinson (from the last movie), sees that he has written "Find the Accountant" on his arm. But he (Ben Affleck) finds her first. After reviewing Simmon's pile o' evidence, he decides he needs to bring his brother, Jon Bernthal in to help. To get info on the gangs, they go to a cheap motel and order up a trio of hookers. Bernthal gently asks them to call their security guard. When he shows up, they stuff him into the trunk of Addai-Robinson's car. This is a little bit too illegal for her, so they split up.

Working on her own, she discovers that the woman in the old photo is Daniella Pineda. She had a bump on the head and developed Acquired Savant Syndrome, giving her amnesia and awesome martial arts skills. 

Meanwhile the brothers have figured out that the boy in the photo was separated from the family and is being trafficked. So it's off to Juarez for the big showdown.

First, I want to complain about the running time - there's no need for this to be 2 hours, 12 minutes. There's a scene early on where Affleck tries speed dating. He's reverse-engineered the algorithm to attract women, but his autistic personality drives them off. What is the point of this scene? I guess it's kind of funny, but doesn't contribute to the plot. And we don't really need it for characterization. 

Bernthal gets an introduction where he's trying to chat with a woman in a fancy penthouse. She's clearly terrified, but he just wants to get to know her. When he leaves, we see that he has killed everyone else in the room, but left her, since she's just sex-work bystander. It's a fine scene, a little long, but, you know, we might have enjoyed the action scene that came, unseen, before it. 

I do like Bernthal here. He's get a great look, all cheekbones and a broken nose. He is assured where Affleck is confused by the world of people and emotions. And they are great in the action schemes when we do get them.

We also get the Airstream from the last movie, as well as the home for weaponized autistic children. But this is treated like sacred lore - something for fans to drool over. It's all fine, but I wasn't as excited as I perhaps was supposed to be. 

Still, it was a fine action movie, and we managed to finish it over two nights. And I suppose we'll watch Accountant Cubed when they make it. 

Wednesday, October 22, 2025

Killer Kung Fu

Put on The Mystery of Chess Boxing (1979) because I just felt like a like old-school kung fu action. I was not aware of the Wu Tang connection.

It starts with Mark Long going around challenging various kung fu masters, throwing down a metal plate with a mask on it, and killing them with his Five Elements Style. The son of one of the victims is Lee Yi Min. He vows vengeance and goes to enroll in a kung fu school. Before he arrives, he gets in a fight outside a chess school. The chess master's cute daughter gets him to stop the fight, and Long discovers that the guy he was fighting is a senior student at the kung fu school. But he decides to attend anyway.

At the school, he is bullied by the seniors, and made to wait on them at meals. He notices that the cook has some skills, and gets him to teach him some kung fu - mostly rice bowl related. So the next time the senior tries to bully him at dinner, he can skillfully maneuver as many rice bowls as needed. 

But someone finds that he has the metal plate that the killer leaves as a challenge. We know find that this man is ... Ghost Face Killer! The plate is the Ghost Face Killing Plate. Long is mistaken for an accomplice, rather than someone seeking revenge, and expelled. 

So he seeks out the chess master, who has been hiding from GFK. He doesn't want to teach our hero, but his daughter talks him into it. Training is mostly chess, with some light torture (they string him up in a split, while daughter contemplates his crotch) thrown in. But will he understand chess boxing before the Ghost Face Killer shows up?

So, now I know where Ghostface Killah got his name. I understand there is a song as well. That's cool, although I'm too old for Wu Tang Clan (it's for the children, right?). But this also delivers a lot of kung fu exercises and stunts, delivered well. I particularly liked the rice bowl gags. I don't know if the Five Elements forms were particularly interesting, but we got a lot of them, and many other styles - including chess boxing. 

Tuesday, October 14, 2025

Paradise Island

We wtched The Island (2023) for one reason: Michael Jai White. Also, Ms. Spenser needed to work, so I put on sonething where she didn't have to pay attention to.

It starts on The Island - an unnamed Caribbean island, played by St. Kitts and Nevis. A lovely singer is auditioning for club owner Edoardo Costa. He tells her she's hired, and acts very suave, until a wiater spills some wine on her. Then he stabs the waiter in the neck, and tells her she works for him now.

Cut to LA: Two undercover cops, White and Jackson Rathbone, are doing a drug deal. White is quiet and serious, Rathbone a motor-mouthed goofball. Things go wrong, but they handle it easily (at least White does). Then White gets a call - his brother, the waiter, is dead.

He heads for the island and starts investigating. He also meets up with his ex-wife Gillian White (his real-life wife). She teaches martial arts to kids. Think she'll get taken by the bad guys as a hostage? Think she'll get out of it? Will Rathbone show up to help out? You probably don't need to watch to find out. 

White is a fine martial artist, although he might be starting to age out. He doesn't have a lot of long fights here. When he does, he is very fast, and his high kicks are flawless. I really wish we had more movies with him really working out. But even when he isn't fighting, he has a great presence and a deep, smooth voice. This movie wasn't anything special, but he made it worth it.

In conclusion, we've been watching a lot of Death In Paradise lately. If you haven't seen it, it's a BBC TV show set on a Caribbean island, where a series of eccentric British police detectives solve a series of seemingly impossible murders. Due to the setting of this movie, I kept getting confused about when the detective would show up.

Monday, October 13, 2025

Aargh Island

I finally saw Cutthroat Island (1995), all 2+ hours of it. I've been a fan of pirates forever now, and went to see all the bad 1980s pirate movies, Yellowbeard, Pirates, The Pirates Movie, ... This is sort of the last entry (1995 is very late 80s), and I guess I had wised up by this time. 

It starts with a sexy little sex piece, introducing us to Geena Davis as pirate Morgan Adams and her monkey sidekick. Then she goes to rescue her pirate father from her pirate uncle. Each has a one-third piece of the treasure map to Cutthroat Island. They escape, but her father dies. Since his part of the map is tattooed on his head, she scalps him, but finds that the map is in Latin. To find a Latin scholar, they go to the slave market, where they purchase talented scoundrel Matthew Modine. 

And so Davis and Modine set out to find the other two-thirds of the map while being chased by her uncles. We get sword fights, sea battles, storms and shipwrecks, mutinies and every other thing you can think of in a pirate movie. But a smart script and some direction might have been nice. We get olde-timey dialog, spoken in dead California accents. We get incongruous humorous quips, falling like lead balloons. And that's the big problem. 

The action is done quite well - this is directed by Renny Harlin, who is pretty good at that. We see Davis doing her own stunts a lot. She doesn't look that great doing them, but points for effort. We get great practical effects, what looks like a real ship or three, and some nice miniatures. All these are things we love. But as soon as someone opens their mouth, oof.

I don't think that Davis is the problem. It's her husband, Rennie Harlin, a very mixed director who did much better with her next movie, The Long Kiss Goodnight

In conclusion, this pretty much killed the pirate movie until Depp put on eye shadow.

Monday, October 6, 2025

The Scottish Movie

It turns out that I've never seen (or read) any version of the Scottish Play (except Throne of Blood). So, to celebrate spooky season, we watched Macbeth (2015).

It starts with a battle, with Michael Fassbender as MacB defeating King Duncan's enemy. After the battle, Fassbender and Patty Considine as Banquo come upon the witches - four, because one brings a little girl. I assume the witched are Maiden, Mother (with Daughter) and Crone. They predict that MacBeth will be Thane of Cawdor and King, but will not start a lineage. Banquo will be father of kings.

When MacB returns from the wars, he finds that King Duncan, David Thewlis, has executed the Thane of Cawdor and gives the title to MacB. So the prediction comes partly true. Now it's time to kill Duncan. Although the king has selected Malcolm as heir, Lady Macbeth (Marion Cotillard) and a ghost urge him on. He does the deed, and kind of freaks out. Malcolm sees which way the wind is blowing and takes of. In his absence, Macbeth is proclaimed king.

There are some more murders, some more witches' prophecies, and more ghosts. We were mainly into the ghosts and witches, and we get them. We also get all the good speeches, with Cotillard doing several great Lady Macbeth monologues. The acting and cast seem to be top notch. It is also a very cinematic film, with lots of atmosphere and some nice battle scenes. But it seems to me that they cut the original play down a lot to fit it all in. That's fine, but I'll want to watch a less trimmed version soon.

This was directed by Justin Kurzel - we last saw him directing Assassins' Creed. Seems random, but they do both star Michael Fassbender and Marion Cotillard. Maybe this was his way of repaying them.

Thursday, October 2, 2025

Working Title

David Ayer has made another profession-based action film with Jason Statham. Last time was bees, now he's just A Working Man (2025).

Statham is a construction foreman for Michael Peña's firm in Chicago. He's well loved by his crew and Peña's family. He also has a young daughter who is in the custody of her grandfather - he sleeps in his car to save money to pay lawyers to help get her back.

Ariana Rivas plays Peña's daughter, who just started college. She goes out for a night on the town with some friends and gets roofied and abducted by some shady characters. Peña turns to Statham for help, because he knows he was a commando in the British armed services. Statham isn't sure about doing this - he's trying to keep his head down for his daughter. But his friend, blind veteran David Harbour convinces him.

So he starts in the bar where she was last scene and goes from there. At each stage he picks up a new link in the chain, and usually kills a few people - sometimes before he gets any info. Kind of sloppy. 

And so it goes. Rivas was kidnapped by the Russian Mafia for sex purposes and sold to a random (?) pervert. I think he's random, but they didn't pay a lot of attention to him. Long story short, Statham finds her, and while he's taking out the henchman, she kills the pervert. And it all ends happily, with a hint of a sequel.

Now the screenplay was cowritten by Ayer and Sylvester Stallone, so it shouldn't be surprising that it is both less goofy and more cliched than Beekeeper. Also, a different kind of weird - there weren't any shadowy agencies or tech bro hackers funding US Presidents. Just standard combat veterans, Russian mafia, and the occasional biker. It was a lot less bonkers, although it was weird in some ways. For one, Statham really seemed to take his time searching for Rivas. No time pressure felt at all. 

Still, if you like Statham and sort of generic action, this was as well done as any. I have no complaints. 

Wednesday, October 1, 2025

Original Sin

Now that Spooky Season has started in earnest, we got to see the latest fine Ryan Coogler horror: Sinners (2025).

Set in 1920s Clarksdale Mississippi, it starts with a young man Miles Caton entering a small church to see his father, the preacher. He's bloodied and carries a busted guitar. His father tells him this is the result of sin and asks him if he's ready to renounce his evil ways. Cut to one day earlier.

The twins, Smoke and Stack, both played by Michael B. Jordan, are standing by a rundown structure looking badass. They just got back from Chicago, with a bunch of money. A white man shows up to sell them the place. They plan to turn it into juke joint - opening that night. They go meet up with Caton, their cousin. He plays blues on a resonator guitar they gave him and they want him to play the joint that night. He also goes along to help them set up. 

One twin goes to town to the Chinese grocery for supplies. He already has a truckload of bootleg booze but they'll need some catfish. When some no-accounts try to lift some of the booze, he shoots them in the street. That establishes his badassery. He also recruits his (ex-?) wife Wunmi Mosaku, a hoodoo woman, as cook. The other twin and Caton go looking for harp player Del Roy Lindo as another entertainer. 

Around this time, a badly burnt man, Jack O'Connell, comes to a white couple's door, begging them to let him in and hide him from the Choctaw who are chasing him. Which they think is strange, because there are no Choctaw in Mississippi. They do hide him, the Choctaw show up and leave, and as the sun goes down, he turns out to be a vampire, who turns the couple. 

At the juke joint, things are hopping. Caton does a blues number which opens the portals of time and space, and the joint becomes crowded with African griots and dancers, hip-hop dancers and MCs, and maybe some spacemen. There are more musical numbrs (none surreal like this), and a lot of fun, with sexy times for many, including Caton.

But then O'Connell and his two friends show up at the door, asking to be invited in. They just want to hear some music, have a drink, you know, good times. The black folk inside tell them to move along, but they say they sing and play too - doing a pretty version of Pick Poor Robin Clean. They still won't get invited in. Mosaku figures out that they are "haints", in fact, they are vampires.

Now the battle of the white vampires (soon to become integrated with the newly turned) vs. jukers. The vampires love Irish music, and perform a lively dance number - this movie is about the power of music. 

And it ends with Caton, now an old man (played by Buddy Guy!) meeting some vampires, still young. SPOILER, I guess. It looks like he did not renounce the life of sin, but he also stayed mortal.

It's funny that so much of this movie takes place outside the vampire story. It's more about black life in old Clarksdale, home of the blues. The casual and serious racism, the bonds of friendships and family, the cotton, the music. The music is great, but I have one nit to pick: Some of the blues sounded a bit modern, especially Alvin Youngblood Hart's Travellin', which was sort of the theme. It had a sophisticated structure where I like a simpler, 12-bar Delta style. But the musicians, who included Cedric Burnside and Buddy Guy, are great. Caton does his own singing, and he's pretty great too.

Another nit I could pick is that the movie had problems sticking to a style and theme. The historical race drama, the surreal musical, the vampire horror, the power of music, all mixed up. But I won't complain about that. It was a bit of a mix, but a skillful one. No matter what the tone was, it always looked great. 


Tuesday, September 30, 2025

Completely Unknowable

I'm not a Bob Dylan obsessive - sure, I've listened to most of his albums (but not all), read a few biographies (including his autobiography, Vol. 1), and seen him in concert (once, 2013). And I've loved his various movies: I'm Not There, Masked and Anonymous, and finally, A Complete Unknown (2024).

The movie starts with Bob Dylan (Timothee Chalamet) hitchhiking into New York, arriving with guitar, a harmonica and a notebook full of songs. He has no money, no place to stay, but he has a newspaper clipping about Woody Guthrie. In a Greenwich Village bar, soe blowhard who's probably Dave van Ronk, tells him Woodie is in a hospitsl in New Jersey.

So Bob heads out there, arriving late, and finding Peter Seeger (Ed Norton) visiting with Woodie (Scoot McNeary). Woodie is almost paralysed, but asks Bobo to sing something, so he lays Song to Woodie on him. Next thing we know, Seeger has invited him out to his log cabin to stay the night.

As Bob starts playing around Greenwich Village, Seeger starts helping him out, introducing him to people, getting him stage time, etc. He sees Joan Baez (Monica Barbaro), and she sees him. Manager Albert Grossman (Dan Fogler) sees him too, and signs him.

He also runs into serious, protest-oriented Sylvie Russo (Elle Fanning), who is a composite character, mostly based on Suze Rotolo. They are soon living together. But when she goes away for a trip, Bob starts an affair with Joan Baez.

As Dylan gets more famous, he also gets more frustrated. He doesn't like playing for bigshots on command, and he refuses to play his popular material with Baez at a big show. It all ends up with him getting together an electric band and playing loud rock and roll at the Newport Folk Festival. 

This movie looks like a very true-to-life picture of the 1960s New York folk scene. There's one shot where Dylan walks out of a folk club onto a street lined with folk clubs. There are all kinds of little miniature portraits of the scenesters, like the Dave van Ronk, Theodore Bikel, or Bob Neuwirth. It also takes wild liberties with the actual facts of who met who when and where. The big Newport scene includes events from Dylan's England tour, and puts Johnny Cash into the middle of the decision to go electric. There's some fun stuff where Albert Grossman gets in a fist fight with John Hammond, who's trying to turn down the volume. Seeing two middle-aged men rolling around backstage is a hoot (by the way, I love Dan Fogler a little more every time I see him). 

The music is also pretty amazing. Chalamet sings and plays for himself, filmed live. His version of I Was Young When I Left Home was eye opening. Barbaro's Baez was very strong, considering what a voice Baez had. Barbaro might have even toned the vibrato down a little bit to make it sound a little smoother. 

But I have to say, the big problem with the movie is the emptiness in the center. Dylan, aside from his music and poetry, is a bit unknowable. His dialog in the movie makes him seem like a bit of an inarticulate asshole - Baez calls him an asshole in one scene. And yet the movie doesn't seem to be saying, here's a jerk who makes great music. It's more like, what a misunderstood genius this guy is. 

It also focuses on him so intently that we don't really get much on anyone else, and they are maybe more interesting than this version of Bob. Seeger gets some development: we see him as an open, generous, kind and optimistic man. His failing is that he sees Dylan as a means to an end - to bring folk music and world peace to the people. 

I'm Not There took the approach of totally fictionalizing Bob's life, using different actors, different personas. I think that was a good decision. Another approach might have been to show Dylan through the eyes of the people around him. That gets you a more conventional biopic, but helps preserve the mystery of Dylan.

One thing the movie got right was how much of a cute dandy Dylan was. Not sure that Chalamet nailed the voice, but he looked great. So did the whole movie. I guess Mangold knows how to do that.

Wednesday, September 24, 2025

Feeling No Pain

Novocaine (2025): another type of Nobody scenario. Or maybe a superhero movie? 

Jack Quaid is Nathan Caine, a mild-mannered bank manager who has a genetic condition: he can't feel pain. As a result, he is rather timid and cautious. For example, he can't eat solid food. If he chews, he might accidentally bite his tongue off. His only friend is someone he met online, who he plays WoW (I guess) with.

There's a girl at the bank that he is rather taken with, Amber Midthunder. One day she bumps into him, pouring coffee all over his hands. He brushes it off, although he's badly burned, because he didn't feel a thing. She invites him to lunch, and he at first refuses, but his online friend has encouraged him to get out there, so he accepts. At a diner, he tells her about his condition - she calls him a superhero. He responds by telling her about all the times he hurt himself without realizing it. But she does convince him to try a piece of cherry pie, which is a transformative experience.

The next day, the bank is robbed. The head manager won't tell them the combination to the main safe, so they shoot him. Next in line is Quaid. When they threaten Midthunder, he gives up the combination. They leave kn two cars as the police arrive, taking Midthunder in one as a hostage. 

When he realizes that the police aren't prioritizing the hostage, he steals a police car and takes off after them. He's just an ordinary guy, but he can't feel pain, which gives him an upper hand.

This is a pretty good premise, leading to some fun action. For ex (it's in the trailer, so no spoiler), when the gun goes into a fryer, Quaid just pulls it out, burns be damned. He gets shot, and pulls the bullet out without a quiver. And so on. But it also seems like he has Wolverine-level recuperative powers. Even without the pain, a bullet hole or a serious burn would make it hard to use that body part, wouldn't it? Anyway, as the movie goes on, he does get weaker, and has to resort to epinephrine and a defibrulator to keep going (shades of Crank!). 

However, the leads are good - Amber Midthunder (Prey) was particularly fun and empathic. It wasn't the greatest action movie, but it had a good hook, and, I guess, you could dance to it. 

Friday, September 19, 2025

Amateur Hour

The Amateur (2025) is sort of another Nobody, except sort of in reverse. Rami Malek is a spy, but a nerdy codebreaker and IT security type with no fighting skills - until he's pushed too far.

We meet Malek and his wife Rachel Brosnahan just as she's leaving for a conference in London. He would go too, but he's sort of scared of flying. That's why his wife gave him a broken down Cessna to fix, which will conquer his fear (?). He heads to work at Langley, where he spends a little time bantering online with the mysterious Inquiline. Inqy sends him some clues that show his boss is disguising drone attacks as suicide bombings.

Then the news comes. There was an attack on the conference, and Malek's wife was taken hostage and killed. Malek demands that his bosses get him some field training and let him go after them. He has used his online skills to identify the killers. When they refuse to let him go, he blackmails them with the suicide bomber false flags. So they send him to train with Laurence Fishburne.

This training mainly serves to show that Malek can't hit the broad side of a barmaid at point blank range. Meanwhile, his bosses are trying to track down the incriminating files. When they fail, they notice thart Malek has taken off to Europe already. 

So now he has to kill three skilled terrorists without being able to fight or shoot a gun. The takedowns are pretty epic, although there aren't that many of them. Of course, when Fishburne shows up to help, as well as Inquiline, plus Jon Bernthal, a cool superspy that Malek did some IT work for, we get a few more fighters on the board. 

I'll spoil the last one - when Malek finds the final boss on a yacht in the Baltic sea, he jiggers the navigation to take them into Finnish waters and lets Interpol and EU immigration handle it.

I found this fun but kind of slight. There weren't a lot of fights, or hacking either. But Malek and the rest of the cast were good, which made up for a lot. My main issue is the laughably outdated idea that false-flagging drone strikes could be used as blackmail material. Now, that would be just another day. 

In conclusion, it looks like this is a remake of a 1981 Canadian movie starring John Savage. Any good?

Wednesday, September 17, 2025

Thunder Butts

Like a lot of geeks and weirdos, I was excited to see new MCU movie Thunderbolts* (2025). Not enough to see it at the theater of course, but enough to get jazzed when it showed up at the library.

It starts with Florence Pugh as the new Red Widow attacking a lab in a skyscraper. She kills a bunch of guards, and sort of accidentally the scientist trying to tell her that Valentina had it all wrong. Then she blows the place up. All the while, she is internal-monologing about how bored and dissatisfied with this life she is. 

Valentina is Valentina Allegra de Fontaine, Julia Louis-Dreyfus, a government official who has been doing off the books research into creating new Avengers. Now she is being impeached by congress, including newly elected representative, Sebastian Stan, Bucky Barnes. To cover her tracks, she has her agents, like Pugh, going around blowing up all her clandestine labs, and killing all participants. 

On one of these missions, Pugh meets up with: 

  • U.S. Agent (Wyatt Russell), a cutrate Captain America (from Falcon and Winter Soldier)
  • Taskmaster (Olga Kurylenko), a skilled fighter (from Black Widow)
  • Ghost (Hannah John-Kamen), who can phased in and out of her physical form (from Ant-Man and the Wasp)
  • Bob (Lewis Pullman), apparently an amnesiac, bipolar mental patient in hospital gown

They figure out that Louis-Dreyfus has sent them all to kill each other off, then be incinerated. Somehow, Bob manages to get them all out (except Kuruylenko, who John-Kamen kills right away). They are picked up in the desert by Red Guardian, David Harbour, to Pugh's dismay. He runs a lino service now, so he has plenty of room.

That's the setup, pretty much. Harbour and Pugh reminisce about her Pee Wee soccer team, the Thunderbolts, who never won a game. That became the name of this team, because they are a bunch of losers and second-raters. 

Meanwhile, Stan is trying to turn Valentina's secretary, Geraldine Viswanathan, to his side, using a little humanitarian appeal, a little sex appeal. He tracks down the Thunderbolts, and joins them.

But what about Bob?

I enjoyed this, although (or because) it's pretty silly. It was clearly made with (the) Suicide Squad in mind. I'm a little annoyed with the Valentina role, because I remember her as the Contessa from the 1970s Steranko's run of Nick Fury - a sexy super-agent. But why not? If you want an amoral sleazy wheeler-dealer, she fits pretty well. Her dialog is pretty fun, all political BS and buzzwords. At least, I assume this was supposed to be satirical - a lot of the movie is like that. Is it written tongue-in-cheek or sincerely?

I don't mind the type of MCU movies that are cynical and silly. Some of them I like a lot. I would like them to try a different tone sometime. Any different tone. 

Tuesday, September 9, 2025

Land of the Lost

We didn't need to see any reviews to know that In the Lost Lands (2025). It was directed by Paul W.S. Anderson and stars his muse and wife Mila Jovovich, with Dave Bautista along for the ride. Obvious junk, but just the kind of junk we love.

It's set in a post-apocalyptic wasteland - everything outside of the one city is the Lost Lands. That city is ruled by the Overlord and his queen, and under the control of the church. Arly Jover, the church enforcer is hanging Mila Jovovich. Jovovich is a witch named Grey Alys - her powers allow her escape, with Jover in pursuit. 

Bautista is a bounty hunter (?), dressed in cowboy hat and bad-ass long coat, who is being ambushed by a gang of baddies. He dispatches them with his two-headed snake and several fire arms. He meets with the queen (Amara Okereke) and her protector (Simon Lööf), and over his objections, sleeps with her.

The queen finds Jovovich and asks her to go on a mission - find a shapeshifting werewolf, and bring his power to her. Jovovich must accepts all commissions, and so she accepts this. She will need a guide in the Lost Lands, so she hunts up Bautista.

I'll leave off describing the plot. Of course, they go adventuring through various locales such as the Trading Post, the Pit of Despair, Evil River, umm... Nasty Ravine? There are ruins aplenty, and steampunk contraptions like a schoolbus turned into an aerial tram. I've seen comments that it's confusing, but I didn't find it to be - maybe I was missing something. Anyway, it's based on a George R.R. Martin story, although it a a touch of the Stephen King Gunslinger to it. I liked to steampunk Western fantasy feel.

I also like Mila Jovovich. She looks lovelier than ever, with a line of tattoos across her face. I bought her as an ageless witch. Bautista looks fine, but is a little po-faced and serious. I think he does better in a comic role. Still, he looks reliably bad ass, and does have a two-headed snake.

I was expecting something more knowingly dumb, like Borderlands. Instead, it was done totally straight - any humor was unintentional. It was also darker in lighting and grimier in design. But it was just as much fun. Maybe a little less, because it didn't have the same budget. Maybe a little more, because of the auteur P.W.S. Anderson.


Monday, September 8, 2025

K and the Dagger

More Asian movies while Ms. K is working. First, Detective K: Secret of the Lost Island (2015), the second of the Detective K series. 

It starts with Detective K exiled on an island - if he leaves, he may be executed. But an old buddy tries to convince him to help out in a counterfeit silver crisis. A lot of the silver being imported from Japan turns out to be bogus. But K refuses.

There is also a young girl who turns up, begging K to help find her sister who has gone missing. Again, K won't help, so she moves in and starts cooking and cleaning for him. Her name means "Do everything". 

He is finally convinces to sneak off the island, and bumos into a beautiful geisha. His comment: "Squishy." He later accepts a slap as the penalty for copping a feel. This is funny, until you realize that young girls are being trafficked for sex, and rejects are being used to work the poisonous process of fake silver. Sexual assault not so funny now, hm?

I enjoyed this, but the jokes didn't always sit well with some of the horrors being depicted.

Nine-Ring Golden Dagger (2024) is not funny at all. It starts in the Song dynasty with a battle, where the General of the Song forces takes on all comers with his nine-ring golden dagger - actually a glaive - like a heavy sword on a pole. He kills many but is finally brought down. The weapon goes to the Liao.

Years later, his daughter vows to retrieve this "nation-stabilizing" weapon. Her sister fights her (big wirework number), and finally agrees to assist her. 

At an inn on the border, we meet the owner, a Song veteran living in a foreign land. His patrons always want to fight him because he's unbeatable. He fights then sings a song about just trying to entertain his customers as an exile in a foreign land. Of course, the sisters will find him, fight him, and then join with him to retrieve the weapon.

This is full of fights, mostly well staged if not astounding. There is one fight, however, that is staged more as a dance - just the two warriors in the empty inn, with a spotlight, trading attacks and parries in a stylized choreographed way. This was a nice treat, and I would have liked to see more interesting treatments. 

This is director Feng Xiaojun's first film. He can definitely film action - his battle scenes are particularly good. There's a little extra creativity there as well. I'd like to see more. 

Thursday, September 4, 2025

Only a Dream

I got Laura (1944) out of the library thinking it was The Uninvited. That's the one with Stella By Starlight, this is the one with the theme Laura.

It stars Dana Andrews as the detective investigating the death of young socialite Laura Hunt (Gene Tierney). He interviews Clifton Webb (Mr. Belvedere) in his bath. Webb is a columnist, a wit, a stylemaker and a prickly, effete eccentric - Webb at his Webbyest. He proceeds to tell Laura's story in flashback. She came to him as an aspiring ad woman, and he took her under his wing. He dressed her, styled her and introduced him to influential people. He became her constant companion. 

But Vincent Price came on the scene and wooed her - even though he was being kept by Laura's aunt. They were to be married until she was found in the doorway of her apartment, with her face shotgunned off. 

The more Andrews hears about Laura, the more intrigued he becomes, until he finds himself in her apartment, drinking and staring at a portrait of her. He is falling in love with a ghost. 

The twist is a great one - and I won't spoil it. You either know it or ought to get to enjoy it. The mystery is OK, maybe a little obvious. But the real attraction is Tierney, Webb and Price giving you the force of their personality. Andrews is a little less mesmerizing - after all, he's supposed to just an everyman in with this batch of crazies. Directed by Otto Preminger, you can bet it will be full of eccentrics. Of course, there is the problem of Laura having bad taste in her men. Andrews calls them a remarkable collection of dopes

We enjoyed it and plan to watch The Uninvited soon. 

Tuesday, September 2, 2025

Starvation Vacation

We were getting a jump on Spooky Season, which runs from September to Halloween in our house. SInce it was the end of August, I picked a horror comedy: Get Away (2024). It starred Nick Frost, but we were also interesting in seeing Aisling Bea, his co-star.

Frost and Bea, with their two teen children, are on vacation, heading to an isolated island in Sweden. In the 1700s, it was quarantined for an epidemic, and the British maintained the quarantine even after the disease had run its course, and the islanders resorted to cannibalism. Our vacationers are hoping to see the ceremony the islanders hold every year to commemorate this event.

At the ferry, they try to get something to eat at a diner, and meet only hostility. When they mention they are going to the island, everyone tells them to stay away. But they have ferry tickets and a rented house, so off they go. 

At the island, they meet oddly dressed villagers who also warn them to leave. But Eero Milinof, their landlord, comes to tell them not to worry about them, he'll bring them around. But, although he's friendly enough, he's a bit creepy too.

I guess you can see where this is going (even before human sacrifice is brought up), but it might surprise you. But there is definitely a blood bath for the third act.

It's a good premise and pretty well delivered. Frost and Bea are good as the clueless and entitled tourists, and Sebastian Croft and Maisey Ayres make good annoying teenagers. Croft is sullen and withdrawn, and also vegetarian. Ayres is a little too into Milinof's creepy stares. And this all plays into the third act twist. 

Two complaints, though. One, the premise was decently handled, but not great. There was a touch of the old improv problem - some of the lines and scenes seemed to be made up on the spot, or in early rehearsals, and kept in, due to lack of a better idea, maybe. Or maybe they liked what they came up with. Frost and Bea are that good. 

Two, they didn't make anything of the starvation/cannibalism angle. When they can't get a decent meal at the diner, then discover the house they rented doesn't have the groceries they were expecting, I was waiting for them to get hungry. Well, maybe that's on me. 

Rom-Com Warriors

Once more, it's time for Ms. Spenser needs to work, and wants a movie that won't distract her too much: An Empress and the Warriors (2008).

Nominally starring Donnie Yen, the movie is set in the Warring States period of Chinese history. The Yan clan loses it's leader in battle, and asks Donnie Yen to take over. One of the ruler's nephews wants the position, but Donnie Yen doesn't try to take it - he lies and says that the ruler wanted his daughter, Kelly Chen, to take her place. Although the army is uneasy with a woman leader, she is well liked. She pledges to train to be a soldier, with Yen as her trainer. Although he is very correct, he is also plainly in love with her.

The training goes well, but some weird warriors attack with poison blowgun darts, and manage to wound her. She rides deep into the forest and is rescued by a strange hermit doctor. The doctor, Leon Lai, lives in a kind of Ewok treehouse and is building a hot air balloon. There's a sort of silly scene where she refuses to let him change her dressing because he would see her naked back. This causes unbearable itching, so she finally, humiliatingly, relents. Later, he gives her a backscratcher that he calls "No need for a good man". 

But when she is well, she has to return to her duties. She only wishes for peace now, but the Zhao kingdom has attacked, and she must lead.

Although there are some battle scenes, this is almost more of a rom-com than military movie. There are a few jokes, like "There's no fighting in the Hall of Swords!" But the humor is mostly from slightly silly situations. Fortunately for everyone, Donnie Yen accepts Chen's love for Lai, and doesn't try to fight for her himself. That wouldn't be funny. 

Sunday, August 31, 2025

Nobody Else

Love Hurts (2025) is basically Nobody with Ke Huy Quan in place of Bob Odenkirk. But we like both of those things, so we watched it.

Quan is a humble, lovable, nerdy real estate agent. He loves his job and he's good at it (although someone keeps putting mustaches on his picture on the For Sale signs). On Valentine's Day, everyone is decorating the office, except Quan's admin, Lio Tipton, a depressed, nihlisitic young woman. Quan gives her some wise words about loving making homes for people, and she mentions someone is waiting in his office.

That someone is knife assassin and poet Mustafa Shakir. Quan has been getting notes from someone who might have been his ex - someone who should be dead. And Shakir wants to know where she is, for his boss, Daniel Wu, Quan's brother. A fight ensues. Turns out Quan isn't just a real estate agent - he can really fight.

To cut to the chase, his boss wants to find Quan's ex, Ariana DeBose, because he thinks she stole from him. Quan was supposed to have killed her but he let her go. 

After he beats up Shakir, he slips out of the office, letting Tipton find a dead (unconscious) poet there. You see, Shakir keeps a notebook of his deep thoughts, anf Tipton falls for him deeply. Quan fights another couple of bumbling assassins, and also gets a Realtor of the Year award from his boss, Sean Astin. Quan is deeply touched, and sincerely grateful for Astin's mentorship. But also needs to get out fast.

He finds DeBose working in a bar (like Michelle Yeoh!). She wants to stop hiding, take on Wu, and especially, shake Quan out of his civilian complacency, and get back the wild animal she knows is inside him. 

That's the setup, how's the execution? In some flashbacks, we see gangsta Quan, with a skinny mustache like some Jo Shishido crime boss. It's not entirely convincing. His fighting is clearly inspired by Jackie Chan - his goofy look, the tricks and twists - and it is pretty convincing. His romance with DeBose, again, not so much. But his love for the square life of a real estate agent is 100%. He cherishes his award, and even tries to break off a fight to get a couple signed to buy the house he's fighting in. His love for Astin, and Astin's love and pride for him, is goofy but sincere.

And that's one problem with the movie. We buy the realtor, but not the assassin. We love the fight scenes, but does Quan? I wonder if this will get a sequel, and how they might handle it.

We also recognize that this movie, like Section 31, is basically stupid, derivative, and crass. But we enjoyed the heck out of it. A couple of charismatic actors, some action, some romance, a few jokes and we're satisfied. 

Wednesday, August 27, 2025

Sectioned Out

We are big Star Trek fans, but pretty much only TOS. So I had heard that Michelle Yeoh was in one of the new series, but didn't pay much attention. But when I saw Star Trek: Section 31 (2025) at the library, I figured, Michelle Yeoh, Star Trek, how bad could it be? Actually, I already knew the concensus was "pretty bad." But we watched it anyway, and eagerly. 

It starts on a moisture farm on a dusty planet in the Mirror Dimension. A young version of Michelle Yeoh, Phillipa Georgiu, comes home to her family, and tells them about the Imperial selection process she has been through. Children from all over the galaxy, competing and fighting, until only one was left. She had made a secret partnership with another contestant and it was down to the two of them. The last challenge: kill your family, which she does, and is crowned Emperor.

Back in the home dimension, a team from Section 31 is looking for Yeoh. She has left her dimesion and is hiding out, running a fancy bar outside Federation space. The team is run by Omari Hardwicke, a remnant of the Eugenics Wars. The team also includes:

  • Humberly Gonzalez, an irresistibly sexy Deltan
  • Sam Richardson, a Chameloid shapeshifter
  • Robert Kazinsky, a meathead in an exoskeleton
  • Sven Ruygrok, a microscopic intelligence piloting a robot Vulcan body
  • Kacey Rohl, a tight-assed Star Fleet rep

These guys are all pretty silly. The meathead (metal head?) is really stupid, but strong. The microscopic guy's Vulcan body acts horny and goofy all the time. The straitlaced Star Fleet officer? Do you remember Annie in Community? Seemingly straight but secretly crazy? Yeoh diagnoses Rohl as being a "chaos goblin", which leads to a not very convincing change in style for her. 

Anyway, the team needs to get this destructive McGuffin, and Yeoh agrees. Her technique involves dimensionally phasing it so no one but her can pick it up - with consequences similar to the scene in Valerian. So her plan goes wrong, "mysterious" stranger (yes, we guessed who, too) takes McGuffin, and so on.

This was a dumb, not very good movie. In fact, the screenwriters kept admitting it - "So tacky - just what you're known for." Also, they are at pains to remind you that Yeoh was a genocidal tyrant, wiping out whole planets for power. And she didn't really seem to regret it. Just to spoil the ending, she solves the problem of the McGuffin by using it to sterilize the Mirror Dimension. But because the movie was so clearly dumb, because so much of it was just silly, and because it's Michelle Yeoh, we enjoyed it. A lot, actually - it was perfect for Big Dumb Friday, when we turn off our brains. 

But I wish it had been a little more Star-Treky. There were transporters and tricorders, sure, but none of the traditional sound effects. At least, they did actually fly in a garbage scow.

Sunday, August 17, 2025

Going Platinum

I've sort of worshipped Jean Harlow ever since college film society. Partly for her beauty and charm, partly for her sad end, partly for her distain for undergarments. But I hadn't seen Platinum Blonde (1931) until now. 

It stars Robert Willians as Stew Smith, newspaper reporter extraordinaire. We meet hiding from his editor, playing a kid's game with his work pal, Loretta Young. His editor wants him to look into the story that the scapegrace son of the wealthy Schuyler family is in a breach of promise situation with a chorus girl. His competition, sleazy Walter Catlett, gets there first but is bought off. He fast talks his way in and refuses to be bought off, so daughter Harlow tries to vamp him. He plays along and then calls the story in, with them watching. He gets tossed out, but got his story.

He returns, and manages to see Harlow, with the compromising letters that he stole from the chorus girl. She offers to pay, but he refuses. The story was news, but the letters are blackmail. Soon they are bantering with each other, and Harlow says something might be made of this guy.

On one visit to the Schuyler manse, he is confronted by a headline on the competitor's paper - he and Harlow have eloped. The rich family is aghast, and his newspaper friends start razzing him about being a kept man, a bird in a gilded cage. He insists that she will be moving to his flat and living on his salary - but winds up living with her in the west wing of the mansion. Harlow hires him a valet, and even puts a canary in his room. In a gilded cage.

All through this, he keeps up with his enemy Catlett and friend Young. A wild party of his friends in the mansion causes a rift between him and Harlow, so he moves out and starts working on his play - with the help of Young. It's only in the last few minutes that he -- SPOILER -- figures out that Young is in love with him, and he loves her. 

Harlow is wonderful in this, as usual - luminous, sexy, appealing. She could be frosty, but warm and human when approached honestly. Sadly, once Williams moves in,  she becomes sort of a stereotyped bossy rich girl. I would have liked to see her stay human until the end. There's a hint that she has important men buzzing around her - she won't stay single long. So I guess there's that.

Williams is interesting. He's kind of similar to Lee Tracy's character in Bombshell, a fast talking, sure of himself guy with solid, if somewhat skewed, morals. Also, not exactly a looker. Director Frank Capra gives Williams a lot of chatter. He talks about anything and everything when he's not doing serious reporting. He even befriends the butler, Smythe (Halliwell Hobbes), who tells him about "puttering". Sadly, Williams died of complications of appendicitis shortly after this film came out.

I don't have much to say about Loretta Young, who was 19 when this was made, and very cute. Her role of silent infatuation isn't very strong, but she does it well. In fact, this movie really didn't do justice to either female lead. But it looked like Williams had a great time, and Harlow looked amazing, and that's good enough for me.

Tuesday, August 5, 2025

Hi-Yah!

Readers who have been reading know that when Ms. Spenser is busy, she requests that I watch something she isn't too interested in, so she can tune out and work, tune in for breaks. We find Asian action fantasies to be perfect for this. Ms. Spenser has been busy a lot recently. 

Immortal Demon Slayer (2017) is the old Monkey King story. Eddie Peng plays Wu Kong, who shows up in Heaven to eat a peach and generally make trouble. It is the end of the epoch and the new Immortals are being chosen. It turns out that Peng is trying to destroy the Gizmo of Destiny that lets the gods contol the earthly realm - Wu Kong doesn't like being controlled. 

He meets and fights with Shawn Yue, who is in a romance with immortal waitress Ni Ni. At some point they are all cast out of Heaven to live mortal lives on Earth, which is in basd shape, due to the arrogance of the gods. 

I liked this a lot, for the hoary old story, but also for the gorgeous art direction. 

Detective K: Secret of Virtuous Widow (2011) is the first in a series of Korean comedy/mysteries, clearly based on the Detective Dee movies. Except, this detective, Kim Myung-Min, is sort of goofy. We first meet him flying to the rescue in one of those kung fu leaps - but he lands in a heap on everyone's head. "Got to work on my landings." The guy he rescues is a dog napper who only steals dogs to save them from the pot (and for money). 

The mix of goofiness and period thriller was a little bumpy - maybe it works better for a Korean audience. But I am definitely planning to watch a couple more.

Finaly, Knight of Shadows: Between Yin and Yang (2019), a later period Jackie Chan movie. It starts with Jackie telling a thrilling story about a demon hunter, who lets good demons fight for him and entraps the bad demons with his Yin Yang brush. He is telling this to a group of children, trying to get them to buy his book. 

The police are looking for a jewel thief, but are pretty corrupt or incompetent. The incompetent is Austin Lin, a junior officer assigned to find the guy scaring kids with stories of demons. Of course Jackie is not just a story teller, but actually a demon hunter. He has a few cartoon demons who work for him. Since one of them is a little fart monster, you know this movie is for kids. There is also a story about a spirit orb, and a human who was a demon in love with a demon who could become human, or maybe the other way around. 

It's fun and silly. Jackie doesn't do much in the way of fighting (not any?), but is as charming as always. There's a cute scene where he gets his body cut in half, so his feet are runnng around while his head and torso try to connect up. The goofy CGI demons worked pretty well too. 

All in all, a few good days of movies. I treat these as sort of disposable and forgettable, which is sort of too bad. I want to watch more. Should I subscribe to Hi-Yah, the martial arts movie streaming service?

Monday, August 4, 2025

Michael Fassbender is Michael Caine in Smiley's People

Ms. Spenser likes le-Carre-style spy thrillers, and I like Steven Soderbergh, so I picked up Black Bag (2025). It was very much that, on several levels. 

It stars Michael Fassbender as a legendary spy owrking out of London. We see him visiting a Soho club to meet a connection. He has one week to find out who stole the McGuffin. After getting his info, he tells the guy to go back to his wife and maybe stop cheating on her. He says he wishes it wasn't so easy to cheat - just tell them it's "black bag", and you can't talk about it. 

Fassbender is planning a nice dinner at home for four of his colleagues. He tells his wife, Cate Blanchett, that he is going to use the dinner to see if he can figure out if one of the guests is a traitor. he doesn't mention that Blanchett is also one of the suspects. At the dinner, he mentions that he can always tell if someone is lying. 

I'll skip the machinations fort the rest of the movie. This is not an action movie, so we mostly see discussions and meetings. Blanchett looks more and more likely as a suspect, but Fassbender isn't fooled. The movie ends with another dinner, this time, with a gun on the table. 

So I've skipped all the suppotting cast, because I didn't know any of them (except Naomie Harris, whp plays a psychologist). I. skipped almost all the plot because I don't remember it well, and probably didn't understand it at the time. At some point, I decided this was a bit of a deconstruction or parody of a spy thriller, and decided to just go with it. I don't think that is really true, but it is a stylized, heightened version. In some ways, I was reminded of Soderbrgh's Haywire, with the chill EDM score and twisty betrayals. 

But the best parts of the movie were the two leads. Fassbender wears heavy black-rimmed glasses like Michael Caine, and acted like George Smiley - mild, mannered, ans sharp as a scalpel. Blanchett was glamorous, with long blonde hair and nice frocks, but with a little less to do. The directing was fine, starting with a long tracking shot that must be a tribute to Goodfellas. I don't remember anything flashy like that in the rest of the film.

So, I had fun and Ms. Spenser kind of wants to see it again. Mission: successful. 

Monday, July 28, 2025

Loopy Lou

Omni Loop (2024) looked like a nice, low-key indie SF movie, swo we put it on. I guess we were right.

It stars Mary-Louise Parker, although we first see her as a child, all alone, picking up a bottle of pills while an seen voice tells her she, Zoya Lowe, is destined for greatness. Then, she wakes up in a hospital bed. The doctor is telling her adult daughter that she has a black hole in her chest and has maybe a week to live.  There is no treatment. 

So she goes home while her husband, daughter and son-in-law try to act normal. She goes to see her mother, who silently watches TV in a nursing home. Later, she sits on a bench outside and another elderly lady joins her. Parker tells her that they have had this conversation many times.

You see, she is in a timeloop situation. She wakes up in the hospital, goes home, visits her mother, and eventually she gets a nosebleed and takes one of the pills. Then she wakes up the hospital again. The woman doesn't believe her, but so what? She'll be redoing this day soon, and she can try something else.

Parker is a physicist, who has written an introductory text with her husband. She is publishing another, but the publishers know about her diagnosis. One night, her family throws her a little 55th birthday party, a few days early (for obvious reasons), then her nose starts bleeding. She takes a pill, and it's back on the loop.

But this time, at the nursing home, she runs into Eyo Edebiri, causing her to drop her books, including Parker's physics book. Parker is surprised - this has never happened in any previous loop. It turns out Edebiri has been raiding the home's library since no one else uses it. She has a rough life, and is working as a lab assistant at the community college. So Parker tells her about her situation, so they can work together. 

Next time around the loop, Parker runs off from the hospital instead of going home, and goes to find Edebiri. Edebiri suggests getting help from the Nanoscopic Man, a man who was testing a shrink ray, but had no way to stop shrinking. He is being kept by an old professor of Parker's, who tells her how lazy, entitled, uninspired, etc she has always been. Parker takes it, but they get the tiny man.

Edebiri and Parker now embark on a frantic attempt to figure out the magic pills and maybe Parker's black hole problem. It ends with Parker listening to the voice mails her frantic family have been leaving, desperate for her to come home. She holds off taking her pill for as long as she can, until the black hole starts to devour her. Then she takes it and wakes up in the hospital again.

This movie is about a lot of things, it seems. One is the question of what you would do if you only had a few days to live. Parker spends it with her family, doing things that she loves, but is that the right answer? Another issue is, when do you give up your dreams of, for example, being a great physicist, in exchange for a simple stable life? The answer seems to be, don't give up your dreams, but your family is most important. Ok?

There's another theme - Parker isn't really a great physicist. When she did poorly on a test, she'd just go back and relive that day, and ace it. This reminds me of people with imposter syndrome, because they "cheated" in school by studying hard. But maybe she wans't that good. It took Edebiri to get her off square one. 

And the movie kind of slighted Edebiri. She was picked up, given all Parker's problems, had her own problems ignored, then dropped. Of course, she didn't know she was dropped. That was in another loop. And in the end, Parker remembered her. But still - wasn't she a bit of a Magic Negro?

So I had some issues with the plot. Also, the movie could get quite slow - partly to show the banality and boredom of a time loop, and of living an ordinary life. It was set in Miami-Dade, and there are several scenes of the characters just travelling on the region's transport system, the Omni-Loop. You see this a lot in indie films like this - characters just riding pub trans, looking blank. 

But, all in all, I kind of liked this movie. It had a few minor SF touches, outside the time loop: the black hole and the Nanoscopic Man - and that was it. It was interesting to see a 55-year old woman as protagonist, with a living mother and daughter, and a husband who was a regular dope, but loving. I might have liked it better if it weren't so ordinary, but I don't think that's what writer/director Bernardo Britto had in mind. It was an interesting take on the time loop story.

In conclusion, you might be thinking, why didn't the pills run out? I worried about it until I realized - the pills take you back in time, to before you took the pill. So there was always the same number.

Monday, July 21, 2025

A Warwilf?

We weren't that excited about Leigh Whannell's Wolf Man (2025), even though we loved The Invisible Man. The reviews just weren't that good. But with the right set of expectations, this was pretty good.

It starts with a crawl about how a hiker vanished in the woods, possibly due to Hill Fever, possibly what the Native people call "yetiglanchi" or werewolfism. We then meet little Blake, a young boy who lives in a remote house in Oregon with his strict father. He carefully makes his bed, then goes out hunting with his dad. They look out over a beautiful valley, but we see that the dad is pretty protective and maybe has anger issues. When they hear strange noises, they retreat to a blind, and some kind of wild animal menaces them. Dad dismisses it as a bear, but is seen discussing it with a neighbor on CB.

In present day, Blake has grown up, and is now played by Christopher Abbott. He lives in New York with a little daughter that he dotes on, but is a little too protective of - although he is fighting not to be his father. His wife, Julia Garner, is a driven, fashionable journalist, and they aren't getting on too well. 

Then he gets the news that his father, who he hasn't seen since he left hie at eighteen, has been declared dead. He disappeared while hunting several years ago. So he convinces his wife to join him in packing up the old homestead. 

As they approach the place on narrow dirt roads, he gets lost. But they encounter a local, a toothless yokel an old friend of Abbott's, Derek. He offers to take him there, and, even though Garner reacts like he's a serial kiler, Abbott accepts. But a creature appears in front of them on the road, and they run off the road.

With the truck hanging sideways off a cliff, Derek jumps out and is swiftly eaten by a something, and Abbott is scratched pretty badly. But they make it to the house. Abbott goes into hyper-vigilant survivalsit mode, barricading the doors and windows, getting the generator going, finding the CB (no phone, no cell signal), and so on. There don't seem to be any guns, which is surprising. Their absence is not mentioned, but c'mon, there should be a ton of them. I think Derek took them.

As if being stalked by a creature of some sort isn't enough, it looks like Abbott has picked up a touch of Hill Fever. He starts losing teeth and hair, and maybe growing some as well. So as well as a werewolf outside, there will soon be one inside as well. 

So the theme is obviously the effects of trauma across generations. SPOILER - the werewolf that infected Abbott was his father! So Abbott is literally turning into his father. A Little heavy handed?

As well as being a bit heavy-handed on the theme, the movie is pretty slow. Ms. Spenser at least appreciated the limited use of jump scares. But she wasn't too thrilled with the lack of body count and real scares. Neither of us is into body horror, but even if we were, the transformations were not great, and the wolves themselves looked pretty weak. 

But when we experience the world with Abbott's transforming viewpoint, it gets interesting. Everything is brighter, small sounds are more intense - when his wife and daughter are hiding in the dark, from his point of view they are just sitting in a well-lit room. Also, he loses his ability to speak or understand language, so we hear his wife pleading with hum, but it just sounds like mumbo-jumbo. Definitely the best part. 

So I'd rank this as a less work by a low-budget master of horror. But it was still pretty fun. The daughter, Mathilda Firth, was pretty lovable, and Garner as the wife went from spiky and brittle to strong when she needed to be. So, low expectations were met and we were satisfied. Although it did make us want to watch MST3k's Werewolf

Tuesday, July 15, 2025

Girl Reporter and the Robots of Tomorrow

I was thinking about Sky Captain and the World of Tomorrow (2004), as one does. This movie was the first (more or less) movie to be made entirely with green screen, with mostly CGI sets. It has an amazing 1930s graphic look, but was a massive bomb. Of course that didn't stop the industry from adopting those methods, now mote common than not. What I was wondering was, does the movie hold up.

It stars Gwyneth Paltrow as Polly Perkins, girl reporter, investigating the disappearance of scientists. In fact, one disappears from the Hindenberg after sending her a message. This leads her to a meeting at a Radio City showing of Wizard of Oz - generating another clue. Outside, she finds New York's skies filled with flying Max Fleischer style robots. Fortunately, Jude Law as Sky Captain shows up in his plane to save the day. 

Paltrow goes to Law later, and it turns out they had a fling that ended badly. But, at his secret base, she convinces him to work together to find out what's behind these attacks. Giovanni Ribisi, as Law's tech genius, is working on a way to disrupt the robots control signals, when the base is attacked. Law and Paltrow take off, and Ribisi is captured, but leaves a hint: Tibet.

So it's off to Tibet, where they get another clue to the bad guy's base. But they need mid-air refueling, so he calls on his friend Frankie. Frankie turns out to be Angelina Jolie, with a heli-carrier type flying airbase. She dresses in leather with an eyepatch, and had a thing with Law. 

When they reach the base, they find it guarded by Walt Disney (or Nikola Tesla?) looking hologram - played by the digital ghost of the late Laurence Olivier. Pay no attention to the man behind the hologram...

So here's my report: The movie looks great. It's full of references to old Superman cartoons, Art Deco, 1930s poster art, etc. The look is desaturated for the background and a little soft focus and blown out for the actors. Law is as charming as ever. Ribisi is very lovable as the brilliant sidekick. Jolie only has ten minutes or so on the screen, but really kicks the movie up a notch. Then there's Paltrow. She's trying for a Torchy Blaine hard-boiled scoop-hunter, and she looks the part, with her blonde do and red red lips. But she just seems annoying. She reminds me of Jennifer Aniston - whiny, vacant, self-obsessed (sorry to Friends fans). So as far as I'm concerned, the movie is perfect, except for her.

I don't know if she has this effect on most of the audience, though. Maybe she was some people's favorite. Maybe the whole 1930s thing just didn't resonate. Maybe the script could have been tighter, or quippier or something. But I may not watch this again just because I can't take Gwyneht Paltrow. 

Monday, July 14, 2025

Old Worlds, New Worlds

We're back on our Marvel buulshit again: we watched Captain America: Brave New World (2025). Now, remember, I liked both Quantumania and The Marvels, so it won't come as a surprise that I enjoyed this too. 

So, Harrison Ford is Thunderbolt Ross (minus the mustache), recently elected president. He sends Captain America v2.0 (Anthony Mackie) and the Falcon (Danny Ramirez) to keep Sidewinder (Giancarlo Esposito) from acquiring a minor McGuffin (adamantium, I think). This lets them show how Mackie is settling in as Cap, but doesn't think Ramirez is ready to go full Falcon.

Adamantium is the engine of the story. President Ford wants an international treaty to share adamantium recources, but there are forces afoot trying to derail this. In fact, at the press event to discuss the treaty, Isaiah Bradley (Carl Lumbly), a black boxer who was experimented on with the super-soldier serum, attempts to shoot the president - several other bodyguards join him. Shira Haas, an ex-Black Widow and current CIA agent, realizes that there is mind control going on. 

Exploring a secret government lab, they meet Tim Blake Nelson, another victim of government experimentation. His exposure to Hulk blood turned him green, gave him a lumpy head, and made him a genius. We called him Broccoli Head Man, but kept thinking he was Alan Tudyk in Alien Nation. He is behind the mind control, somehow, not really explained. 

Throughout all this, president Ford is getting more and mor frustrated and angry. He tries to deal with things calmly, but finally blows. And when he does, he becomes - the Red Hulk! 

This movie uses material from both The Incredible Hulk and Eternals - Tim Blake Nelson goes back to the first, and the second comes up when everyone is fighting over the adamantium around Celestial Island, the huge stone being that showed up in the end of Eternals. I liked that they went back to these semi-cursed movies. Tim Blake Nelson was even the villain in Incredible Hulk (as if I remembered that).

I liked the hint of blaxploitation they used for Giancarlo Esposito, and the frank treatment of racism with the Carl Lumbly - I believe he was a big pat of the Winter Soldier and Falcon TV series - but I'm pretty rusty on that whole thing. The attempts at making a 90's style paranoid thriller fell pretty flat to me. Same with all the Harrison Ford on Air Force One stuff. I didn't see that movie and have no nostalgia for it.

This movie had an odd shapeless quality - a lot going on upfront, Red Hulk thrown in at the very last moment, almost separate from what went before, then a quick summing up and boom. There were also a bunch of characters who seemed like they were from other movies/shows. or comics who I just didn't get - like Haas. But also, I enjoyed this movie and expect to rewatch every now and then. I like Marvel movies, even if they are not the best ever. I hope they can keep making them, good, bad, and so-so. 

Saturday, July 12, 2025

Saxon Dog! Norman Pig! Spanish Fly!

We decided to round out out our Errol Flynn Fest with The Adventures of Robin Hood (1938), directed by the thrilling Michael Curtiz.

I guess I won't go through the whole story. I'll mention that Alan Hale (Skipper's dad) plays Little John, Eugene Pallette plays Friar Tuck as a glutton and master swordsman. Prince John is Claude Rains and the sheriff of Nottingham is played as a sort of nothing by Melville Cooper. The best villain is, of course, Basil Rathbone as Guy of Gisbourne. Olivia de Havilland is ornamental as Maid Marion, but a bit underused. Una O'Connor as her maid is a lot of fun. 

And Flynn is great as Robin. He does a lot of the old throw-the-head-back-and-laugh - can we bring that back a little? There are a bunch of great fights - one where he walks into Prince John's banquet with a poached deer, eats dinner with the court, insults everyone and then fights his way out. 

And of course, the famous final fight between Flynn and Rathbone. Rathbone was an Army fencing champion and gave Flynn a lot of coaching. the fight is fast, with some nice staircase work and camera choreography. Maybe not the greatest, but way up there.

In concl/usion, I'd forgotten how Saxon vs. Norman this movie was. Do we have to bring nationalities into this?


Saturday, June 28, 2025

The Angel and the Bad Man

I've known of Yolanda and the Thief (1945) as a batshit crazy fever dream musical for a while now. I got the idea that it wasn't that good, but was weird, which of course piqued my interest. It wasn't that easy to come by, so when I saw it at the library (they got a Warners Archive copy), I rented it. Surprisingly, Ms. Spenser, not an Astaire fan, voted to watch.

It takes place in an imaginary country, Patria. It is a colorful country, full of painted backdrops, peasant children and llamas. Lucille Bremer is Yolanda, a naive and devout convent school student who has just turned 18. (One of the writers also wrote the Madeline books, so convent schools were a speciality.)

Bremer will be leaving to the convent to take over her family business, which owns pretty much the whole country. But she has no head for business or desire for wealth, and is not looking forward to outside life. She needs a guardian angel.

Also in Patria are conmen Fred Astaire and Frank Morgan, who set out to fleece Yolanda. When Astaire tries to climb the wall of their estate, he hears her praying to a guardian angel, asking for help with managing all her responsibilities. He comes up with a plan: He will pretend to be her guardian angel, and relieve her of her money problems by taking her money.

Although Frank Morgan is appalled, the plan works well. But there's another conman luring around, one with an honest face, Leon Ames (I bet he doesn't get that a lot - doesn't he play mostly villains?). Plus the constant problem - love.

This movie is mostly famed for its two extended dance scenes. First is a dream ballet, where Fred is tempted to marry Bremer, but his past, represented by four color-coded floozies and their rough companions. The dance takes place on a surrealistic plane, with simplistic sets. The second takes place during carnival, and is set to an odd song - "Coffee Time". There's a weird op-art dance floor, and an folkloric rhythm and melody that turns into jazz. I have to say, neither the songs nor the dancing are really top notch. Astaire seranades Bremer on the harp (he's an angel, see), with a jazzy number very reminiscent of Harpo. 

This is also a comedy where most of the jokes fall flat. So, weak jokes, songs, dances - Astaire is unappealing and Bremer not that charismatic. What is there to like? Vincent Minelli's direction. I am not much of a fan - I find him slick and garish most of the time. But the colors and abstract compositions make this story work. I can see why som many love him. Both Ms. Spenser and I had a great time. 

In conclusion, Mildred Natwick as Yolanda's batty aunt is a lot of fun too. 

Tuesday, June 24, 2025

Thief of Time

We put on The Thief of Bagdad (1924) thinking it would be nice and short. It was better than nice and a lot longer than short. 

This is a silent film starring Douglas Fairbanks. He is a thief who takes whatever he wants - when he sees something he wants, his palms itch and he makes unconscious grasping gestures. He steals a magic rope and climbs it to discover the beautiful princess, Julianne Johnston. He wants her, but despairs of getting her. His partner in crime, Snits Edward, reminds him that Haroun-a-Rashid stole a princess, why couldn't he. So he sneaks into her boudoir.

But when he sees her, he is overcome by her beauty and abandons his scheme. Snits hears that her father, the Caliph, is entertaining suitors for her hand and they steal some fine clothes and join the nobles contending for her. One is Prince of the Indies, played by African American Noble Johnson. Another is the fat Prince of Persia, played by Mathilde Comont, a woman. Finally, the crafty Prince of the Mongols, Sojin Kamiyama. 

Johnston favors Fairbanks, and he secretly confesses to her that he is only a lowly thief. But her Mongol slave, Anna May Wong, is a spy, and she tells Kamiyama. Fairbanks is exposed, tortured and almost killed by the court wizard's giant ape. 

To buy time, Johnston says that she will marry the man who brings her the best and rarest wedding present in seven months. Fairbanks meets an imam, who tells him where a great treasure can be found, and advises him to be bold. Not a problem for Fairbanks!

So we have seven months of adventuring for Fairbanks and the princes. There are monster lizards, giant bats, flying carpets, crystal balls, flying horses, and so on. And it looks like the Mongol prince is going to invade Bagdad whether he gets the princess or not. Only Fairbanks can save the day and win the princess.

We loved this whole thing. It was amazingly stylized, with beautiful compositions and Fairbanks leaping and posing like Nijinsky. Wes Anderson must have loved this. There were some great character actors, like Snits, and throw in a bunch of elephants, camels and donkeys. The score in the disc we got (Criterion? I forget now) was based on Rimsky-Korsakov and very lovely. 

But it took us three days to get through this - this nice, short silent is two hours and twenty minutes long!

Tuesday, June 17, 2025

Cup of Coffee

As mentioned previously, we have loved A Girl, a Guy, and a Gob (1941) for a long time, but never blogged it. So here we go.

Edmund O'Brien is taking his society fiancee and future mother-in-law to the opera, but he can't find his tickets. Since he is a season box holder, they let him in anyway and take them to his box - where he finds a family of commoners: Lucille Ball, her deaf-ish dad, batty mom and sketchy brother Pigeon (Lloyd Corrigan). Since they have tickets, O'Brien's party is deated on the floor, of all things. Of course, Ball figures out that Pigeon lifted or found the tickets, and they really did belong to O'Brien.

At the office the next day, O'Brien's shipping business is in full swing, but his secretary has eloped. One of the first applicants for the job is Ball. She apologizes for the night before, and tries to leave. But a phone cal comes in, and Ball is a very good secretary. It's too bad she's so clumsy, and that O'Brien's fiancee shows up just when she'd fallen into his lap.

Now we meet the real star of the show, George Murphy as sailor "Coffee" Cup. He is as caffeinated as his name, full of energy and good spirits. He grew up with Ball, calls her Spindle-Shanks and hopes to marry her, now that his hitch in the Navy is done. He just needs a little money.

On the street, he runs into his fellow sailor Doodles Weaver, and claims he can grow 4 inches. A crowd gathers and people start making bets. O'Brien, who works across the street, is enlisted to mark the 4-inch target as Doodles squirms and loosens up to gain height. The excitement grows, a fight breaks out and O'Brien gets decked.

He comes to in Ball's apartment with her wacky family and some sailors. He has so much fun, he agrees to go dancing with them - although he has a date with his fiancee at the symphony. And as he dances with Ball, well, you can see where this is going.

Coffee Cup needs to get some money up for the wedding, but all of his schemes backfire. Richard Lane, his recruiting officer, keeps trying to tempt him to re-up, invoking the beautiful women he could meet at sea. Meanwhile, O'Brien's father's old pal and business partner keeps telling O'Brien that he needs to loosen up, get into more fights with sailors - that's whar the shipping industry used to be about.

I'm sure you can figure out who ends up with the girl, and who goes back to sea.

This is a fun, fast paced movie, directed by Richard Wallace and produced by Harold Lloyd. It's full of great charactr actors - Doodles Weaver! - and wacky hi-jinx. But George O'Brien (R. Sen. CA) makes it perfect. His energy, confidence and love of life makes this movie so much fun to watch. Makes you want to change your life. 

Monday, June 16, 2025

Two Tough Blondes

I can get to be a little bit completist for some sorts of movies - often older series, like the Torchie Blaine movies. So when I found out that Glenda Farrell and Joan Blondell made 5 movies together, i went out and bought the four that I could find: 

Havana Widows (1933) is sort of the gold standard. Farrell an Blondell are chorus girls who are barely making it. An old friend drops by in a limousine, covered in furs and diamonds, and lets them in on a secret. There are a ton of old millionaires in Havana who can be sued for breach of promise. She even gave them the name of a crooked lawyer, Frank McHugh. 

They try to get travelling money from their lowlife friend Alan Jenkins, who borrows it from his mobster boss, Ralph Ince - and then loses it gambling. When they do get some money, Jenkins joins them to avoid his boss. 

They target married Guy Kibbee to entrap, but Blondell falls for his son, Lyle Talbott, who has no money of his own. And so it goes. Two gold diggers with hearts of gold, a bunch of great character actors, everyone playing drunk most of the time, and a sort of happy ending. Lots of laughs, and a one hout runtime.

I’ve Got Your Number (1934) is really more of a Pat O'Brien movie. After a couple of montages about our nations switchboards, we find O'Brien installing or fixing phones with his partner Alan Jenkins. On a call to an apartment full of babes,  he trades sexy barbs with them, but Jenkins just says, "Let's get outta here," his catchphrase in this movie. O'Brien has a romance with switchboard operator Joan Blondell, but also runs with phony fortune teller Glenda Farrell. 

This one has more plot (which I couldn't really follow, due to asleepiness) and less romance. Also less Farrell, sadly. But plenty of sadsack Alan Jenkins.

Traveling Saleslady (1935) has Blondell as the doting daughter of an old-fashioned manufacturer, Grant Mitchell. She wants some modern advertising, but he won't budge. He prefers the old ways of his number one salesman, William Gargan. It turns out his method is to take the buyers out on the town with some party girls. For women buyers like Farrell, he woos them himself.

Blondell comes across Hugh Herbert, an ex-bootlegger who has a lot of alcohol flavoring - he proposes to make booze-flavored toothpaste. Blondell takes the idea to a competitor (Al Shean!), and secretly takes a job selling this as a travelling saleslady. So she starts a rivalry with Gargan, and it develops into a romance. Sadly, Farrell is very much short changed here.

Miss Pacific Fleet (1935) again has Blondell and Farrell broke - this time working a carnival. Alan Jenkins plays Blondell's guy, a sailor on leave named Kewpie. When he finds out they are broke, he suggests they enter the Miss Pacific Fleet contest. The winner will be chosen by vote, plus some boosts by, for example, the winner of a fleet boxing competition.

But he also introduces Blondell to his pal Warren Hull. And while Jenkins is a whirlwind of energy and a boxing champion, he looks like Alan Jenkins. So Blondell falls for Hull. Jenkins realizes this in the middle of the boxing match and gives his endorsement to Marie Wilson (My Friend Irma). The competition is run by Hugh Herbert, and his wife is jealous of Blondell, leading to more hi-jinks. 

I liked all of these, but they mostly suffered by leaning too heavily on Blondell and neglecting Farrell. They should be a team (maybe stealing each other's guys), trying to entrap rich old millionaires while falling in love withh hunky young paupers, surrounded by goofball character actors like Hugh Herbert and particularly, Alan Jenkins. His "Kewpie" goes down in film history along with George O'Brien's Coffee Cupp - say, I never did blog about him. OK, that's next.